Playing Some More

Woven/Warm

I am on a roll, playing with shapes and lines and color, and continuing to explore abstraction. Each of the pictures I have done in this series is based on a different line shape.

Like the others, this drawing combines markers and watercolor pencils on watercolor paper. My eyes hurt from drawing all the lines, but this is fun ...

Playing

City Life

I am preparing a new class for a new, and older audience, so I have been considering ways to offer my students some accessible and fun projects that will encourage them to want to play with art, and make it a regular and enjoyable part of their lives.

In my own studio, I am still struggling to create strong abstract images with acrylics. To help, and to free my creative juices, I  am currently working through some of the exercises in a book, Painting Abstracts, by Rolina a Van Vliet. I have found the most success by following her suggestions for using lines to create interesting and dynamic compositions. She also has ideas for using different media to create with - and basically, if she mentions it, I have it somewhere in my collection of art supplies - my favorite toys.

So, this week's work has turned out to be a productive one. I played with some new techniques, tried out some new color pencils, and developed several project ideas that I think will please my new class. All this while having a fun and relaxing time being creative.

Next in Line(s)

The top image, (10x12 on heavy watercolor paper) combines marker with water color pencil and water to get a variety of textures.


The bottom is the same size, but done in a combination of color markers and color pencils. I especially enjoyed using lines to create shapes and motion, and then building color in cross hatches and overlays. Fun ...

A Break from the Ordinary

Goldfish

Lately I have been struggling with paint and canvas. Nothing I have tried is working to my satisfaction. My growing need for detail and depth is limited by my ability to make it appear on the canvas. Its a good thing I have lots more painting classes in my near future.

Today, as I was searching for a photo in my VAST collection, I came across a favorite, a mass of goldfish in a pond, from a trip to Hawaii. This was a perfect starting point for a digital painting. I wanted to abstract the intense details of fish eyes, mouths and frenzy, and add the cool blue watery beauty that thoughts of Hawaii bring to mind.

Once again, gotta love what I can do with Photoshop. Creating this digital painting was a mini-vacation from the work of painting on canvas. I feel refreshed now, creative and ready to keep learning.

Through a Glass

Through a Glass

I am having a great time playing with the creation of backgrounds. This one started with a layer of prussian blue, thalo green and white paints - smooshed into the canvas without a pattern - just a layer of changing color. Then, I applied a pattern of lines with painters tape, sprayed a light layer of gold paint and rubbed it into the surface. I love the indoor outdoor feeling of looking into the sun that appeared. Next, I used charcoal to drawn the curving lines and began to add paint in the same colors I used in the underpainting, with the addition of yellow ochre. I love the opacity of that paint. 

Once the paint was in place, I retraced the lines in black oil pastel.

This is acrylic on canvas 16"x20".

Building to a Conclusion

I have worked on this same canvas four times - building layers of paint and color without arriving at a satisfactory result, until today when inspiration struck (in the bathtub).

I am currently intrigued with understanding how to develop texture and interest under the layer of paint that shows. As I study the abstract images I find most successful, I am becoming more aware of all that appears to be going on under the surface. So, I thought I would use this much painted canvas to create a color field painting. I applied a surface pattern with tape, and just for the heck of it, added a thin layer of gold paint to the existing (now under) painting. There was already lots of texture in the paint, and I thought it would work through. I chose a limited palette of blue, turquoise, yellow ocher and white.

I used my new fat brush to lay thick paint in the taped areas, mixing on the surface of the canvas, dried with a hair dryer, untaped, retaped the areas that I wanted to work on next, and repeated the process. I added a touch more gold, and thickened some texture. If you look closely, you can see lines and swirls, darks and light subtlely through the stripes. Finally, I think this canvas is done ... at least until the next inspiration strikes.

Exploring Variations: Finding Ideas

Evening in the City 

In the last post, the image, Koi, was painted with a deliberate plan. The painting is for my son and his wife. He asked for something that somehow "went with" a beautiful Japanese image of a large orange Koi fish.  It was  easy to find my inspiration for this piece - colors, layout and size were all "givens."

This painting, though clearly related to the last in style and composition, began with no plan except a desire to play around with a pallette knife. I am currently reading and working through Painting Abstracts, by Rolina Van Vliet, considering the images, techniques and approaches. As a result of what I am learning in the book, I knew I wanted to combine larger areas with smaller ones - but had no vision of where I was going (I hate that.) I started by using the palette knife to lay down a multicolor layer, experimenting with textures, and combining light and dark,colors. Ugly - but an interesting background.

I am still enthralled by the abstract trees I've been painting; I love the outlines and individually defined shapes. Oh, and also, I have a great fat new brush that holds lots of paint and creates wonderful texture. So, using the new brush, and laying colors directly from the tube, I began to paint a pattern of squares. Soon the trees appeared, (good, I thought that was to be the plan) and then they went away.  A city scene appeared ... at least to me.

I so often struggle with knowing what to paint, especially when I am on my own and not in a class. But today's project, in which I did not stop when I hated the results, and just kept on messing around to see what would appear, is a success.

Not because it is beautiful (is it? I can't tell yet, but I know it gives me that good feeling) but because I allowed it take its own shape and I learned in the process. This is the reason I believe it is important to work regularly, and as often as possible, and to work with no particular outcome in mind. I find it so much more difficult now that I am working in the abstract mode - because in my more realistic working past, I always could find a photo to guide me. This is different - a photo can contain some of what I want to appear - but a lot is now needing to be drawn from imagination and abstraction.

What do you think? What is the best way to build skills? What inspires you to just jump in and paint? How do you handle "artist's block?"